To Do Friday: Sid Avery Exhibit
January 30, 2013 | Source: Monroe Gallery of Photography
One of Sid's iconic shots c. mptv
Via The Santa Fe Reporter
New photographic exhibit is as smooth as fine Corinthian leather
Popular culture can thank the late Sid Avery for some of the most candid and intimate shots of Golden Age Hollywood celebrities.
His were slice-of-life photographs that revealed a different side to the icons of the day: real, non-posed images of Dean Martin hamming it up inside a hotel room; Rock Hudson taking a phone call wearing nothing but a bath towel; Marlon Brando playing an impromptu bongos set; Elizabeth Taylor basking in the Marfa, Texas sun on the set of Giant.
âHe had an innate ability to get people to relax and be themselves in front of the camera,â Averyâs son Ron tells SFR. âHe was also a naturally intuitive, bright guyânot necessarily school smart, but street smart, I think, is what you would call it.â
Based in Los Angeles, Ron continues his fatherâs legacy at the helm of the Motion Picture and Television Photographic Archive, which handles his dadâs and other celebrated photographersâ bodies of work. Heâs also personally overseeing Monroe Galleryâs upcoming The Art of the Hollywood Snapshot exhibit, concurrent with the publication of an eponymous book.
Legendary as he was, Avery doesnât think his father would fare too well in todayâs tabloid-driven, crotch-shot-hungry insta-market.
âHe wouldnât print or let a picture be published if the celebrity had an unflattering look on their face, or [if] it just wasnât showing them in a good light,â Avery says. âI donât think he ever really pissed anybody off, either. Today, people are published picking their nose or doing whatever in publicâ¦or not even in public.â
Sidâs approach was such, his son recalls, that he managed to win over even the toughest subjects like Humphrey Bogart, who at first was apprehensive, and eventually invited the photog on sailing excursions.
Avery also developed an affinity with other giants of the time, such as Ernest Borgnine and Audrey Hepburn. He was one of the select few outside Frank Sinatraâs circle, his son points out, allowed to refer to the crooner simply by his first name.
âYouâve just got a feeling that, âWow, this is what it really would have been like to just sit in these peopleâs houses, or ride with them in the car or be with them,ââ Avery says of his progenitorâs style.
The imagemakerâwho at one point served in the Army Pictorial Service during WWIIâwould later delve into the world of advertising and directing, and was the man responsible for the notorious Ricardo MontalbÃ¡n Chrysler Cordoba campaign.
Along with a slew of memorable pictures, the show also includes âfresh and differentâ never-before-seen outtakes and contact sheets, Ron adds, allowing attendees to take in the full grasp of Averyâs career.
âI think this is a real good compilation of where Dad started, where he wound up and everything in between,â Ron says. âBecause we pretty much cover him from before the war until [his passing in] 2001.â
5-7 pm Friday, Feb. 1. Free.
Monroe Gallery of Photography
Monroe Gallery of Photography
â¨112 Don Gaspar Ave., 992-0800